The Rake

SVEN BIRKERTS

Goodbye, Side B

ANGELO R. LACUESTA

Something for Nothing
DINAH LENNEY Lenney.htmlLenney.htmlLenney.htmlshapeimage_1_link_0shapeimage_1_link_1

I Am #VHSMovieClub

DANIEL LIGHT

The Power Suit

MARGOT SINGER

The Death of Handwriting as Seen Through the Lives of Gandhi and Myself
LAWRENCE SUTINSutin.htmlSutin.htmlSutin.htmlSutin.htmlSutin.htmlshapeimage_2_link_0shapeimage_2_link_1shapeimage_2_link_2shapeimage_2_link_3
The Aging of Aquarius
MARION WINIK Winik.htmlWinik.htmlWinik.htmlshapeimage_3_link_0shapeimage_3_link_1
Reading ‘Arcade’ Naked
RACHEL YODERYoder.htmlYoder.htmlYoder.htmlshapeimage_4_link_0shapeimage_4_link_1

Thinking Chair, 2002

Sculpture by Arthur Ganson

The Wanamaker

People

DINTY W. MOORE

True Story

STEPHANIE ELIZONDO GRIEST

On a p
lane recently, I glanced a few seats over and spotted someone watching that iconic 80’s film, Wall Street.  What fascinated me was Daryl Hannah’s hair, big blonde ringlets framing her face, her coiffure made me unable to see her as the twenty-something actor she was then.  She looked to me like an impersonator, someone old wanting to hang on desperately to the styles of her youth.  I suppose this is another way of saying the film looked dated, but it’s more than that.  I had lived through that period, too, and what dogged me as I watched Daryl Hannah in growing horror (she might as well have been pulling out her dentures before she went to bed with Charlie Sheen) was that I had lived through that era, too.  What was I thinking?  What was everyone thinking and why don’t I still think that way? Not only was Daryl’s Hannah’s hair uncomical at the time, it was the norm.  And then a switch turned off and just as suddenly, her hair looked stupid (and you must say the word “stupid” in your head with the kind of British bluntness and accent of say, a Ricky Gervais)...(read more)
 

IN THIS ISSUE

VOLUME I, ISSUE I APRIL 2010

MEMENTOS FROM THE TRASH BIN OF HISTORY

WHAT’S NOSTALGIA GOT TO DO WITH IT?

Pocket Panic

JAMES SCUDAMORE

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